Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, June 23, 2009

One Giant Trombone Led the Big Parade

To amuse myself during this lazy Kittanning summer, I joined the Kittanning Firemen's Band. My two younger brothers and several friends have been trying to get me to join for years, but I stubbornly refused on the grounds that I'm just far too accustomed to being contrary. But I finally broke down this summer, and I'm now the newest tromboner in the band.

Two years ago, the band participated in a parade, but they needed one more person to have the minimum membership necessary to compete. Since my brother couldn't make it, I threw on his uniform, went along with them, and carried the banner. It was simple enough, and there was much drinking and merriment along the way. Since that single instance, the Firemen's Band has sent me all of their newsletters and publications as though I were already a full member. So while I feel that I've only been part of the band for about two months, the books have probably had my name on the roster for two and a half years.

I swore I'd never play the trombone again after high school. Trombone music in high school bands is typically dull and tedious. There are a lot of whole notes and lifeless rhythms that serve to bump up all the truly awesome parts played by the trumpets, saxophones, and clarinets. If we even glimpsed a melody or anything slightly complicated that was labeled "fortissimo," we actually stopped doodling and mocking each other long enough to play what little musical morsels they would decide to throw our way, and we'd make the most of them. I may not have been a very good trombone player, but I could play loud. When in doubt, blow your brains out, and hope that no one will notice that you played the wrong note.

But in the Firemen's Band, the trombones get the melody (or counter-melody) all the time. At one recent performance, I wasn't aware that ONLY the trombones play the melody of "Amazing Grace" for the first half of our arrangement. Since I was the only trombone at said performance, my amateur ass got a solo on one of the most melodic and familiar songs in the band's oeuvre.** Take THAT consistently third-chair high-school JP. You got to rock a solo!

As if that's not enough, the trombones are right out front when we march in parades. In the photo at the top, that's me at the DuBois Parade right in the middle behind the drum major. Since, as with most situations, I tower over everyone else, it looks like I'm either leading the band or that I'm serving as their honorary bastion. Though in that uniform, I look like a mutant Ghostbuster.

Another advantage that the Firemen's Band has over the high school band is the ready (and often free) access to alcohol. I am thoroughly amazed by the huge fanbase that this ragtag group of Sousa-march players has across the state, though I suspect many of them think that everyone in the band is an actual fireman (which is not really the case - the band is simply supported by the Kittanning fire companies). But regardless of their motives, I'm equally impressed by said fanbase's willingness to give us free booze. A consistent stream of liquor could have made those high school football games a lot more interesting.

In a town replete with hopeless and cultureless slobs whose idea of reading involves the pizza shop's delivery menu while they drink themselves into a stupor every night as they're waiting to deal heroin out of the home of their pregnant teenage girlfriend because their brother is still serving jail time, it's nice to be with a group of guys who actually like to do something reasonably enriching in their spare time.

Though I suppose we drink ourselves into a stupor after every performance, so we still have that in common with our village brethren.

** My pretentious use of needlessly complicated words has now extended to music, as well. You're welcome!

------------------------------
"Do you find something funny about the word TROMBONER!?"

Thursday, January 08, 2009

Oh What a Life!

As part of my continued attempts to become more traditionally masculine, this afternoon I went to a musical with another man. A friend of mine is a music teacher, and she got tickets to the critically acclaimed musical Jersey Boys for her students. She had two tickets left over, and she gave them to my other friend Mike. Mike's girlfriend was unavailable, so he took me along instead. I must admit, I looked ravishing as his date.

Jersey Boys tells the story of the Frankie Valli and the Four Seasons, a popular music group from the 1960s. I'm sure some of you are saying, "Who the fuck are the Four Seasons? Are they the guys who started the hotel chain?" Not exactly. You may not know the group's name, but you've heard their music. You have to know "December 1963" ("Oh what a night, late December back in '63. What a very special time for me..."); they still play it on the radio all the time, and I think Billy Joel may have done a cover of it. But their other songs have been used for countless product jingles over the years. I seem to recall "Big Girls Don't Cry" being used for a Pampers commercial, and I wouldn't be surprised if "Walk Like a Man" was used in Reebok commercials. I'm almost certain I once saw some tubby man serenading Mrs. Butterworth with "Can't Take My Eyes Off You."

The musical was excellent, but what struck me the most was the group's riveting tale of success. By the age of 22, Frankie Valli had a string of number one hits and a boatload of money. This doesn't even take into account the throngs of adoring fans. I'm 25 now, and my life consists of watching Boston Legal DVDs, making copies of church bulletins, eating leftover meatloaf (sometimes while listening to Meatloaf), and then blogging about my stygian existence on this blog.

Oh sure, the Four Seasons had their share of troubles, and the play ends with certain tragic overtones. One of their members racked up enormous debts to the mob. Frankie himself even ended up divorced, and his daughter was killed in her early 20s. But failures are so much easier to take after glorious success. People talk about how money doesn't buy happiness, but I'll bet the gloomy abyss seems a bit more bearable when you can drown your sorrows in the finest wines while cruising on your yacht with women of dubious moral character.

And I'm sure the royalties from this musical aren't keeping Frankie Valli awake at night.

Jersey Boys is ostensibly about living the American Dream. Even a group of poor Italian boys from Jersey can make it big. But to me it only highlighted the fact that I could have made it by this time if I'd been scrappy and cunning enough. This performance only drove home my own failures. It also didn't give me a lot of hope for the future. Even if success is achieved, you're still doomed to a failed marriage and huge mob debts. So if I one day become a wildly successful producer of pornographic films, I'll probably be diagnosed with terminal dysentery before my first check arrives in the mail.

Although there was one bright beacon of hope in the production. There's a small subplot featuring a exuberant but dopey kid named Joey from their New Jersey hometown. Apparently Tommy DeVito (no relation to Danny), one of the original Four Seasons, took great delight in their teenage years in tormenting and mocking poor Joey and using him to run errands. Tommy DeVito is the one who later accrued the massive mob debts, and he was kicked out of the group. Joey, meanwhile, would later group up to be Joe Pesci.... yes, THAT Joe Pesci.

And in a delicious twist of fate, Tommy DeVito now WORKS for Joe Pesci!! (I have no idea if character of Tommy DeVito that Joe Pesci portrays in Goodfellas is a direct reference to this relationship, but I wouldn't doubt it.)

I don't see myself as Joe Pesci in this little tale. Nay, I am Tommy DeVito. I find solace in the fact that at some point after years of wretched unemployment, some successful guy that I wronged in the past may take pity on me and offer me a job. In a cruel bit of irony, maybe I'll end up as the secretary for the Mormon Tabernacle Choir.

And then someone can write a glorious musical about my life.

-----------------------------
Big girls don't cry, but sometimes big unemployed bloggers do.

Saturday, August 02, 2008

Sing Us A Song, Karaoke Man!

Hello. My name is JP and I'm a karaoke whore.

Yes, you heard correctly. This Star Trek loving, cartoon-watching, single, unemployed blogger doesn't think he's completely proven how truly uncool he is. Karaoke has to be added on to this epic pile of social dysfunction.

On Thursday night, I joined Batmite, Virgil, and Virgil's friend (referred to as D/B on her blog) at the bar down the road. As luck would have it, Thursday was karaoke night! Batmite and Virgil were well aware of my predilection for making a fool of myself in a lyrical fashion, so they badgered me into signing up for some songs. I think they were hoping to make a fool of me (as any good friends would), but the crowd was quite receptive even though I wasn't a stunning singer.

Frankly, though, I don't really care what people think of my karaoke. I really enjoy doing it, but I'm not sure why. I'm not usually one to jump on stage to entertain the masses, but give me a bounded collection of outdated pop songs, and I'm more than happy to badly croon into a microphone like Frank Sinatra's deaf second-cousin. I think my love affair with karaoke represents my inner child screaming, "EVERYBODY PAY ATTENTION TO ME!!!" My blog serves this same function.

The sad part (as if it could be any sadder) is that my singing is usually well received by the crowd even though I'm not a talented vocalist. The secret to success at the karaoke bar is to choose songs that fit your vocal range. I can't really do high vocals, so I tend to avoid them. But more importantly, you have to be confident in what you're singing. If you can stride up to the microphone and BELIEVE that you can sing Duran Duran or Billy Joel, then goddamn it, the patrons will love it.

Booze helps too.... the more the bar folks have to drink, the more they love what you sing. About a year ago, I was singing at a local bar near Kittanning and the teleprompter suddenly started going all fuzzy so that I couldn't read the words. Fortunately, I knew the words to the song ("Interstate Love Song" by the Stone Temple Pilots if you're interested), so I kept right on singing. After I finished, this burly bearded guy comes up to me and says, "Did you know the words or could you actually read that gibberish on the screen? Cause if you could read that, I'll buy you a beer!" My opportunistic side easily triumphed over my honorable side, so I replied, "Oh I could totally read it!" The burly fellow shouts to the bartender: "Hey!! Get this guy here a beer on me!! He can read anything!!"

My singing has even garnered the attention of some drunken bar floozies. Granted, they may have been mocking me or using me to make their boyfriends jealous, but I'm easily flattered and will take any excuse to inflate my already swollen ego.

As for my personal intake of booze, that depends on the situation. If the crowd is really into it, then I'll sing sober. I've done it before. I'm high on my love for trashy 80s songs and attention. But if the crowd is less than enthused about the karaoke, I can still be persuaded to get up and belt out a few tunes if I get enough liquid courage in me.

My repertoire typically consists of stuff from 20 or 30 years ago, but not always. Here are some of the ones I tend to sing:
"We Didn't Start the Fire" - Billy Joel
"Sold (The Grundy County Auction) - John Michael Montgomery
"Sweet Caroline" - Neil Diamond
"The Gambler" - Kenny Rogers
"The Asshole Song" - Denis Leary
"Centerfold" - J. Geils Band
"Johnny B. Goode" - Chuck Berry
"Piano Man" - Billy Joel
"Only the Good Die Young" - Billy Joel
"Paradise by the Dashboard Light" - Meatloaf
"Safety Dance" - Men Without Hats

There are some things I'd like to sing that I don't think I'm capable of. I'd love to be able to sing some Journey, but I just don't have the chops to pull it off. There's nothing worse than listening to some poor shmuck butcher "Open Arms" or "Don't Stop Believing." No one wants to hear that. Elton John would be fun to sing too, but he's got some intense vocals that intimidate me. I'll leave the good stuff to the flamboyant professionals, thank you very much.

Thursday night was just like any other night as far as karaoke was concerned. It was only the second time that I'd sung in Morgantown, and Virgil and D/B were highly interested in seeing me debase myself by singing "Don't Cha" by the Pussycat Dolls. I think they were trying to see if they could embarrass me, and truth be told, I didn't really want to do it; however, I would have totally sung the song just to see if I could pull it off. It wouldn't have been very good, but I would have put on a damn good show. Fortunately for me (and perhaps unfortunately for them), we all started to get kinda tired, and the song queue was pretty long, so we left before my next turn came up.

What a shame.

---------------------------------
Don't cha wish your girlfriend was hot like JP?

Wednesday, January 09, 2008

Oh Mama!! Shake Your Tailfeathers!!

One day I was bored and on the internet (all good blog posts [and most confessions to a priest] start that way), so I was YouTubing music videos. Granted, most music videos don't make a lot of sense. A lot of them are just random collections of images that apparently form an emotional whole. But I found two that totally boggle the mind.

The first is called "Disco Duck" by Rick Dees

If that video doesn't give you pause, then I don't know what will. First, you've got Rick Dees there thrusting his hips and orgasming as he yells "I'M THE DISCO DUUUUUUCK!" Then these people in duck costumes show up and start discoing with all the usual 70s folk. I'd almost give this video a pass just because it was made in the 1970s, but then I remembered that there was no MTV back then. I think this video was made just because Rick loved the song so much. And what's with Donald Duck lending his voice to these proceedings? It implies certain feelings toward Daisy Duck that I just can't reconcile with my childhood.

The other song is better known. I've known this song for years, but I'd never seen the music video. I feel like I've missed out on a lot. This is "The Safety Dance" by Men Without Hats.

What does this song have to do with dancing with midgets and wenches in days of yore? I love how totally intense this Hayden Christensen guy is while singing in this magical realm. There's puppets, dwarfs, that rope game, and even a man wearing a chicken mask for some reason. At about two minutes in, there's even a guy briefly spanking the midget. I could accept it all as just one more bizarre creation from the 80s, but then in the last two seconds, about ten images of fighter jets suddenly flash on screen. Where the hell did that come from? Are those the friends that are left behind? What does this mean???

I actually wanted to know what the Safety Dance looked like, and that video left me with even more questions and an unsettled feeling in my loins.

-----------------------
Four out of five readers now want to drop acid just to feel the joy that Rick Dees and Men Without Hats must have felt while making those videos.

Sunday, December 09, 2007

The Infinite Sadness

For the last couple of weeks, I haven't been able to get the The Fray's song "How to Save a Life" out of my head. It's a good song, and it's on my "Current Favorites" list on my iPod, but it's about as feel-good as a movie about the Holocaust and 9/11 combined.

I've looked at the lyrics a few times and can't come up with a positive interpretation. According to Wikipedia, lead singer Isaac Slade says that it's about mentoring troubled teens at summer camp. Others think it's about drunk driving or the Dissolution of Czechoslovakia (easily my favorite possibility). I'm convinced that someone ends up dead by the end of the song. Look at the chorus:
Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life.
Any way you slice it, someone ends up kicking the bucket. Actually, since the chorus is repeated six times, it could be a half-dozen deaths. Maybe it's actually about Jack the Ripper.

It gets worse. A few weeks after I first got the song stuck in my head, I sat down to watch a rerun of Scrubs, and it happened to be an episode called "My Lunch." It's a stellar episode, probably one of the best that I've seen. Dr. Cox becomes obsessed with getting organs for three dying patients, but after getting the necessary organs and getting them in the patients, they discover that the person that the organs came from had rabies. As you can imagine, the ending isn't exactly positive, and guess what song is playing!!



Did you watch it? You feel like shit now don't you? So not only do I have the song itself trapped in my head, but now I have this depressing ending lodged in my head with it. Every time I hear this song now, I think of all kinds of sad things like drowning puppies, genocide, ten grandmas dying, terminally ill children, and just about every episode of Law & Order: Special Victims Unit.

I get lots of songs stuck in my head, and usually I don't mind (though sometimes people glare at me for humming them in line at the store). Most of the time it's either some 80s gem or an extremely embarrassing girly song, so I can just rock out privately in my car as passing motorists look on in confusion and disgust. But I swear to your God, if I can't get this song out of my head soon, I'm not only going to slit my own wrists, but I'm going to come over to your house and slit yours too.

The Fray proves that even the most cynical asshole can be manipulated by a man with a piano and a catchy tune.

-----------------
9 out of 10 readers are pissed that JP has depressed them when they were looking for a good laugh. The last reader thinks JP is never funny anyway.